Chapelle San Brizio

Basilica di Santa Maria sopra Minerva
Basilica of Saint Mary above Minerva(in English)
*Basilica Sanctae Mariae supra Minervam* (in Latin)
Basilica di Santa Maria sopra Minerva; Basilica of Saint Mary above Minerva(in English); Basilica Sanctae Mariae supra Minervam (in Latin)
	Santa Maria sopra Minerva façade by Carlo Maderno
Basic information
Location	Rome, Italy
Affiliation	Roman Catholic
Year consecrated	1370
Ecclesiastical or organizational status	Minor basilica
Leadership	Vacant
Website	www.basilicaminerva.it
Architectural description
Architect(s)	Fra Sisto Fiorentino, Fra Ristoro da Campi, Carlo Maderno
Architectural type	Church
Architectural style	Gothic
Groundbreaking	1280
Completed	1370
Specifications
Direction of façade	W
Length	101 m (331 ft)
Width	41 m (135 ft)
Width (nave)	15 m (49 ft)

Minerve.

Giacobbe Giusti, Basilique de la Minerve, Rome

Facade de l’église de la Minerve

Présentation

Nom local

Basilica di Santa Maria sopra Minerva

Culte

Catholicisme

Type

Basilique

Début de la construction

1280

Style dominant

Architecture gothique

Site web

http://www.basilicaminerva.it/ [archive]

Géographie

Pays

Italie

Région

Latium

Ville

Rome

Géolocalisation sur la carte : Rome

La basilique sur la Minerve, ou église Sainte-Marie sur la Minerve (Santa Maria sopra Minerva) est une basilique située à Rome, place de la Minerve, dans le quartier du Panthéon.

Fondée au viii^e siècle, reconstruite au xiii^e siècle, souvent modifiée jusqu’au xix^e siècle, c’est une des rares églises romaines de style majoritairement gothique. Comme d’autres églises romaines antiques, elle fut construite sur les fondations d’un lieu de culte antérieur, dédié à la divinité romaine Minerve, ce qui explique son nom.

Devant la façade, se trouve l’obélisque de la piazza della Minerva, installé sur le dos d’un éléphant conçu par le Bernin.

Histoire

On sait peu de chose sur le temple de la Minerve, qui aurait été construit par Pompée vers 50 av. J.-C.. Un temple dédié à Isis et Sérapis aurait également existé sur les lieux actuels de l’église, puisqu’en 1665 un obélisque égyptien fut retrouvé dans le jardin du couvent dominicain attenant à l’église. La crypte de l’église renferme quelques vestiges antiques. Il est probable que le temple ait existé jusqu’au règne du pape Zacharie (741-752), qui offrit le lieu à des moines venus d’Orient. Cette première église du viii^e siècle a aujourd’hui disparu. L’édifice actuel doit son existence aux dominicains, qui en reçurent la propriété du pape Alexandre IV au xiii^e siècle, et y bâtirent une église et un couvent.

En effet, les dominicains voulurent bâtir une église nouvelle et moderne pour abriter leur quartier général romain. Deux religieux, Fra Sisto Fiorentino et Fra Ristoro da Campi, qui avaient travaillé à la construction de l’église Santa Maria Novella de Florence, commencèrent la construction du nouvel édifice en 1280, sous le pontificat de Nicolas III. Le pape Boniface VIIIfinança largement les travaux, et l’église fut achevée en 1370.

Par la suite, elle fut rénovée et modifiée par Carlo Maderno, entre autres, qui lui donna une façade classique, puis de nouveau restaurée au xix^e siècle, dans le style néo-gothique. Les portes de l’église datent du xv^e siècle.

En 1557, le pape Paul IV érige le titre cardinaliceSanta Maria sopra Minerva qui est rattaché à cette église.

Sainte Catherine de Sienne est enterrée dans l’église Santa Maria sopra Minerva. Derrière la sacristie, la chapelle qui lui est dédiée fut construite en 1637 sur la décision du cardinal Antonio Barberini, en transportant les murs de la pièce où la sainte mourut en 1380 depuis le couvent voisin des Dominicaines.

Fra Angelico, le peintre de la Renaissance, mourut dans le couvent attenant et fut enterré dans la chapelle à gauche du chœur. De même, les papes Paul IV, Léon X et Clément VII sont enterrés dans le chœur dans des tombeaux d’Antonio da Sangallo le Jeune réalisés en 1541. En effet, avant la construction de l’église Saint-Jean-Baptiste-des-Florentins, la Minerve était l’église de la nation florentine à Rome et abrite à ce titre de nombreuses sépultures de prélats, seigneurs et citoyens toscans. Étrangement, Diotisalvi Nerone, qui avait pris part à la révolte des Florentins contre Pierre de Médicis, fut enterré en ces lieux, où le rejoignirent par la suite les dépouilles de nombreux membres éminents de la famille des Médicis.

La sacristie de l’église fut le lieu de deux conclaves. Le premier se tint en mars 1431, et aboutit à l’élection du pape Eugène IV, le second, en mars 1447, à celle du pape Nicolas V.

Décoration intérieure

Chapelle Carafa.

Dans la nef de droite, deux chapelles méritent l’attention : la sixième chapelle contient les tombeaux de membres de la famille de Clément VII par Giacomo della Porta tandis que la chapelle suivante, la chapelle de Raymond de Peñafort, contient celui du cardinal Giovanni Diego de Coca par Andrea Bregno (1477) et une célèbre fresque par Melozzo da Forlì, Jésus-Christ entre deux anges.

Le transept droit abrite la chapelle Carafa, construite de 1489 à 1493 et revêtue de fresques de Filippino Lippi représentant sur les trois murs la vie de Saint Thomas d’Aquin, l’Assomption et l’Annonciation où le saint présente à la Vierge le cardinal Oliviero Carafa. Sur l’une des parois de la chapelle, se trouve le mausolée du pape Paul IV, membre de la famille Carafa, réalisé par Pirro Ligorio dans la deuxième moitié du xvi^e siècle.

Devant le pilastre gauche du chœur figure une statue du Christ ressuscité dit Christ de la Minerve(1519-1521) commencée par Michel-Ange à Florence et achevée par ses élèves. On note un pudique voile doré ajouté après coup sur la statue, la nudité de Jésus étant assez peu répandue dans les églises.

Le cardinal Howard de Norfolk, mort en 1694, y est inhumé. Une dalle de marbre blanc honore sa mémoire.

Intérieur de l’église
Mur de droite de la chapelle Carafa avec Saint Thomas triomphant des hérétiques de Filippino Lippi.
Le Christ rédempteur de Michel-Ange
Nef
Rosace
Chapelle Aldobrandini
Chapelle du Rosaire
Chapelle Carafa
Chapelle Cafarelli
Chapelle Capranica
Chapelle San Domenico

Façade

À la fin du xvi^e siècle, Carlo Maderno réalise la façade baroque de l’église. Celle-ci a été restaurée à la fin du xix^e siècle et son caractère néo-médiéval préservé depuis.

Cloître

Le cloître, du xiii^e siècle, abrite de magnifiques fresques.

Voir aussi

Bibliographie

I. Taurisano, Santa Maria sopra Minerva, Rome, 1955.

Articles connexes

Santa Maria sopra Minerva (Saint Mary above Minerva, Latin: Sancta Maria supra Minervam) is one of the major churches of the Roman Catholic Order of Preachers(better known as the Dominicans) in Rome, Italy. The church’s name derives from the fact that the first Christian church structure on the site was built directly over (Italian: sopra) the ruins or foundations of a temple dedicated to the Egyptian goddess Isis, which had been erroneously ascribed to the Greco-Roman goddess Minerva.^[1]

The church is located in Piazza della Minerva one block behind the Pantheon in the Pigna rione of Rome within the ancient district known as the Campus Martius. The present church and disposition of surrounding structures is visible in a detail from the Nolli Map of 1748.

While many other medieval churches in Rome have been given Baroquemakeovers that cover Gothic structures, the Minerva is the only extant example of original Gothic church building in Rome.^[2]Behind a restrained Renaissance style façade^[3] the Gothic interior features arched vaulting that was painted blue with gilded stars and trimmed with brilliant red ribbing in a 19th-century Neo-Gothic restoration.

The church and adjoining convent served at various times throughout its history as the Dominican Order’s headquarters. Today the headquarters have been re-established in their original location at the Roman convent of Santa Sabina. The titulus of Sanctae Mariae supra Minervamis now vacant with the death of Cormac Murphy-O’Connor who died on 1 September 2017.

History

Santa Maria sopra Minerva interior

In Roman times there were three temples in what is now the area surrounding the basilica and former convent buildings: the Minervium, built by Gnaeus Pompey in honour of the goddess Minerva about 50 BC, referred to as Delubrum Minervae; the Iseumdedicated to Isis, and the Serapeum dedicated to Serapis.^[4] Details of the temple to Minerva are not known but recent investigations indicate that a small round Minervium once stood a little further to east on the Piazza of the Collegio Romano.^[1] In 1665 an Egyptian obelisk was found, buried in the garden of the Dominican cloister adjacent to the church. Several other small obelisks were found at different times near the church, known as the Obelisci Isei Campensis, which were probably brought to Rome during the 1st century and grouped in pairs, with others, at the entrances of the temple of Isis.^[5] There are other Roman survivals in the crypt.

The ruined temple is likely to have lasted until the reign of Pope Zachary (741-752), who finally Christianized the site, offering it to Basilian nuns from Constantinople who maintained an oratorium there dedicated to the « Virgin of Minervum ».^[6] The structure he commissioned has disappeared.

In 1255 Pope Alexander IV established a community of converted women on the site. A decade later this community was transferred to the Roman Church of San Pancrazio thereby allowing the Dominicans to establish a convent of friars and a studium conventuale there. The Friars were on site beginning in 1266 but took official possession of the Church in 1275. Aldobrandino Cavalcanti (1279), vicarius Urbis or vicar for Pope Gregory X, and an associate of Thomas Aquinas ratified the donation of Santa Maria sopra Minerva to the Dominicans of Santa Sabina by the sisters of S. Maria in Campo Marzio.^[7] The ensemble of buildings that formed around the church and convent came to be known as the insula sapientae or insula dominicana (island of wisdom or Dominican island).^[8]

The Dominicans began building the present Gothic church in 1280 modelling it on their church in Florence Santa Maria Novella. Architectural plans were probably drawn up during the pontificate of Nicholas III by two Dominican friars, Fra Sisto Fiorentino and Fra Ristoro da Campi.^[1] With the help of funds contributed by Boniface VIII and the faithful the side aisles were completed in the 14th century.

In 1453 church interior construction was finally completed when Cardinal Juan Torquemada ordered that the main nave be covered by a vault that reduced the overall projected height of the church.^[3] In the same year of 1453 Count Francesco Orsini sponsored the construction of the façade at his own expense. However work on the façade remained incomplete until 1725 when it was finally finished by order of Pope Benedict XIII.^[8]

In 1431, the Church and the adjacent Convent of the Dominicans was the site of a Papal conclave. The city of Rome was in an uproar upon the death of Pope Martin V(Colonna), whose family had dominated Roman political life for fifteen years, and enriched themselves on the wealth of the Church. There was fighting in the streets on a daily basis, and the Plaza in front of the Minerva, because of the configuration of streets, houses, church and monastery, could easily be fortified and defended.^[9] The Sacristy of the Church served as the meeting hall for the fourteen cardinals (out of nineteen) who attended the Conclave, which began on 1 March 1431. The dormitory of the monks in the Convent to the immediate north of the Church, served as the living quarters for the cardinals and their refectory and kitchen. On 3 March they elected Cardinal Gabriele Condulmaro, who took the name Eugenius IV.^[10] A second Conclave was held at the Minerva, on 4-6 March 1447, following the death of Pope Eugenius, once again in the midst of disturbances involving the Orsini supporters of Pope Eugenius and his enemies the Colonna. Eighteen cardinals (out of a total of twenty-six) were present and elected Cardinal Tommaso Parentucelli da Sarzana as Pope Nicholas V.^[11]

The Minerva has been a titular church since 1557,^[12] and a minor basilica since 1566. The church’s first titular cardinal was Michele Ghislieri who became Pope Pius V in 1566. He raised the church to the level of minor basilica in that same year.

In the 16th century Giuliano da Sangallo made changes in the choir area, and in 1600 Carlo Maderno enlarged the apse, added Baroque decorations and created the present façade with its pilastered tripartite division in Renaissance style.^[3] Marks on this façade dating back to the 16th and 17th centuries indicate various flood levels of the Tiber 65 feet (20 metres).

Between 1848 and 1855 Girolamo Bianchedi directed an important program of restoration when most of the Baroque additions were removed and the blank walls were covered with neo-gothic frescos giving the interior the Neo-Gothic appearance that it has today.

The basilica’s stained glass windows are mostly from the 19th century. In 1909, the great organ was constructed by the firm of Carlo Vegezzi Bossi. The organ was restored in 1999.^[13]

The inscriptions found in S. Maria sopra Minerva have been collected and published by Vincenzo Forcella.^[14]

Convent and Studium

In 1288 the theology component of the provincial curriculum for the education of the friars was relocated from the studium provinciale at the Roman basilica of Santa Sabina to the studium conventuale at Santa Maria sopra Minerva which was redesignated as a studium particularis theologiae.^[15] At various times in its history this studium served as a studium generale for the Roman province of the Order.

College of Saint Thomas

The late 16th century saw the studium at Santa Maria sopra Minerva undergo transformation. Thomas Aquinas, who had been canonized in 1323 by Pope John XXII, was proclaimed the fifth Latin Doctor of the Church by Pius V in 1567. To honor this great doctor, in 1577 the Spanish Dominican Msgr. Juan Solano, O.P., former bishop of Cusco, Peru, generously funded the reorganization of the studium at the convent of Santa Maria sopra Minerva on the model of the College of St. Gregory at Valladolid in his native Spain.^[16] The result of Solano’s initiative, which underwent structural change shortly before Solano’s death in 1580, was the College of Saint Thomas (Latin: Collegium Divi Thomae) at Santa Maria sopra Minerva, the future Pontifical University of Saint Thomas Aquinas (Angelicum). The college occupied several existing convent structures and new construction was required. At that time the convent underwent considerable reconstruction to accommodate the college and the cloister was redesigned so that side chapels could be added to the church’s northern flank. A detail from the Nolli Map of 1748 gives some idea of the disposition of buildings when the Minerva convent housed the College of St. Thomas.

Offices of the Inquisition

On 14 September 1628, by papal decree, the convent of Minerva was designated as the seat of the Congregation of the Holy Office. It thus became the place where the tribunal of the Roman Inquisition set up by Paul III in 1542 held the Secret Congregation meetings during which the sentences were read out.^[17] It was in a room of the Minerva Convent on 22 June 1633 that the father of modern astronomy Galileo Galilei, after being tried for heresy, abjured his scientific theses in favour of the Copernican theory.^[17]

In the late 18th and early 19th century the suppression of religious orders hampered the mission of the Order and the College of St. Thomas. During the French occupation of Rome from 1797 to 1814 the College declined and even briefly closed its doors from 1810 to 1815.^[18] The Order gained control of the convent once again in 1815, only for it to be expropriated by the Italian government in 1870.

In 1873 the Collegium Divi Thomæ de Urbe was forced to leave the Minerva for good, eventually being relocated at the convent of Saints Dominic and Sixtus in 1932 and being transformed into the Pontifical University of Saint Thomas Aquinas, Angelicum in 1963.

The Dominicans eventually were allowed to return to the Minerva and part of the convent.

Interior

Among several important works of art in the church are Michelangelo‘s statue Cristo della Minerva (1521) and the late 15th-century (1488–93) cycle of frescos in the Carafa Chapel by Filippino Lippi. The basilica also houses many funerary monuments including the tombs of Doctor of the Church Saint Catherine of Siena(1347-1380), who was a member of the Third Order of Saint Dominic; the Dominican friar Blessed John of Fiesole (Fra Giovanni da Fiesole, born Guido di Piero) better known as Fra Angelico (c. 1395-1455); and ornate monuments to the Medici Popes: Leo X (born Giovanni de Medici, c. 1475-1521) and Clement VII (born Giulio de Medici, c. 1478-1534), designed by Baccio Bandinelli. ^[19]

Carafa Chapel

Carafa chapel in 2010

The Carafa Chapel, with late 15th-century frescoes (1488–1493) by Filippino Lippi, was commissioned by Cardinal Oliviero Carafa in honour of Saint Thomas Aquinas. There are two Marian scenes, the Annunciation and the Assumption; over the altar is his St Thomas presenting Cardinal Carafa to the Blessed Virgin, and on the right-hand wall his Glory of St Thomas. It was inaugurated in 1493, and is also known as the Chapel of St Thomas Aquinas. The relics of St Thomas Aquinas were kept in this chapel until 1511, when they were moved to Naples. Designed by Pirro Ligorio in 1559, the tomb of Gian Pietro Carafa, who became Pope Paul IV in 1555, is also in the chapel.

Cappella Capranica

The chapel is also known as the Chapel of the Rosary. The stucco ceiling was made in 1573 by Marcello Venusti. The chapel contains the tomb of Cardinal Domenico Capranica by Andrea Bregno.

Michelangelo’s Cristo della Minerva

Michelangelo‘s Christ the Redeemer near the altar

The Cristo della Minerva, also known as Christ the Redeemer or Christ Carrying the Cross, is a marble sculpture by Michelangelo Buonarroti, finished in 1521, located to the left of the main altar.

Cappella Aldobrandini

The Aldobrandini chapel was designed by Giacomo della Porta but it is Carlo Maderno that completed della Porta’s project (after 1602). It was consecrated in 1611. The canvas depicting the Institution of the Eucharist and dated from 1594 is by Federico Fiori. The monument to the parents of Pope Clement VIII, Salvestro Aldobrandini and Luisa Dati, is by Giacomo della Porta. The first Confraternity of the Blessed Sacrament to be approved by the Holy See was established in this chapel, with St. Ignatius of Loyola as one of its earliest members. This chapel contains the Federico Barocci altarpiece depicting the Communion of the Apostles.

Cappella Raymond of Penyafort

The chapel dedicated to Raymond of Penyafort houses the tomb of Cardinal Juan Díaz de Coca, by Andrea Bregno. The ceiling fresco Jesus Christ as a Judge, between two angels is by Melozzo da Forlì.

Other major artworks

Annunciation (1485), by Antoniazzo Romano – shows Cardinal Juan de Torquemada OP presenting girls who received a dowry by his Guild of the Annunciation to the Virgin. The cardinal is buried nearby.
The tombs of the Popes Leo X and Clement VII by Baccio Bandinelli (1541) ^[19]
Tomb of Urban VII
Tomb of Fra Angelico, by Isaia da Pisa (1455)
Tomb of Guillaume Durand the Elder, Bishop of Mende (1285-1296), the 13th-century canonist; signed by Giovanni di Cosma (1296)
Memorial to Maria Raggi, by Gian Lorenzo Bernini (between 1647–53)
Tomb of Francesco Tornabuoni (1480), one of the best works by Mino da Fiesole

Burials

Sarcophagus of Saint Catherine of Siena beneath the High Altar

Saint Catherine of Siena is buried here (except her head, which is in the Basilica of San Domenico in Siena). Beyond the sacristy, the room where she died in 1380 was reconstructed here by Antonio Barberiniin 1637. This room is the first transplanted interior, and the progenitor of familiar 19th and 20th century museum « period rooms. » The frescoes by Antoniazzo Romano that decorated the original walls, however, are now lost.

The famous early Renaissance painter Fra Angelico died in the adjoining convent and was buried in the church. (He had painted a fresco cycle in the cloister on the initiative of Cardinal Juan de Torquemada, but those paintings have not survived.)

Before the construction of San Giovanni dei Fiorentini, the Minerva served as the church in Rome of the Florentines, and therefore it contains numerous tombs of prelates, nobles and citizens coming from that Tuscan city. For example, the elaborate tombs of the Medici Popes – Leo X (Giovanni de Medici) and Clement VII(Giulio de Medici) – are located here, designed by Florentine sculptor Baccio Bandinelli. ^[19] Curiously, Diotisalvi Neroni, a refugee who had taken part in the plot against Piero de’ Medici, is also buried in the church.

The tombs of Popes Urban VII and Paul IV are located in Santa Maria soprano Minerva, as are the Cardinal-nephew of Pope Nicholas III Latino Malabranca Orsini, Michel Mazarin (Archbishop of Aix) who was the brother of Cardinal Jules Mazarin, the Byzantine philosopher George of Trebizond, and two Renaissance theorists and practitioners, Filarete in architecture and Mariano Santo in surgery.

Cardinal Astorgio Agnensi has his tomb monument in the cloister.

List of cardinal-priests from Santa Maria sopra Minerva

1557–1566 Michele Ghisleri (later Pope Pius V)
1566–1589 Michele Bonelli
1589–1602 Girolamo Bernerio
1602–1608 François-Marie Thaurusi
1621–1639 Giulio Roma
1643–1654 Giambattista Altieri
1655–1679 Jean François Paul de Gondi
1679–1694 Philip Howard of Norfolk
1694–1699 José Saenz d’Aguirre
1701–1729 Louis Antoine de Noailles
1729–1730 Agustín Pipia
1730–1747 Philipp Ludwig von Sinzendorf
1747–1762 Daniele Delfino
1758–1770 Giuseppe Pozzobonelli
1770–1782 Scipione Borghese
1783–1787 Tommaso Maria Ghilini
1787–1800 Vincenzo Ranuzzi
1801–1814 Giulio Maria della Somaglia
1816–1822 Francesco Fontana
1829–1832 Benedetto Barberini
1832–1836 Giuseppe Maria Velzi
1838–1850 Antonio Francesco Orioli
1850–1854 Raffaele Fornari
1857–1860 Francesco Gaude
1861–1864 Gaetano Bedini
1868–1870 Matteo Eustachio Gonella
1875–1885 John McCloskey
1887–1894 Zeferino González y Díaz Tuñón
1895–1896 Egidio Mauri
1896–1909 Serafino Cretoni
1911–1918 John Murphy Farley
1919–1922 Teodoro Valfre di Bonzo
1922–1926 Stanislas Touchet
1926–1929 Giuseppe Gamba
1930–1938 Giulio Serafini
1939–1946 Eugène Tisserant
1946–1965 Clemente Micara
1967–1974 Antonio Samorè
1976–1977 Dino Staffa
1979–1998 Anastasio Ballestrero
2001–2017 Cormac Murphy-O’Connor

Other churches with this name

In Assisi, another church of Santa Maria sopra Minerva was built in the 16th century within the surviving cella of a late Republican temple of Minerva. Its Corinthianportico still stands.^[20]

Minerva’s Pulcino

The Pulcino della Minerva, the famous elephant sculpture by Bernini and Ercole Ferrata, making the base of one of Rome’s eleven Egyptian obelisks.

In front of the church there is one of the most curious monuments of Rome, the so-called Pulcino della Minerva. It is a statue designed by the Baroque era sculptor Gian Lorenzo Bernini (and executed by his pupil Ercole Ferrata in 1667) of an elephant as the supporting base for the Egyptian obelisk found in the Dominicans’ garden. It is the shortest of the eleven Egyptian obelisks in Rome and is said to have been one of two obelisks moved from Sais, where they were built during the 589 BC-570 BC reign of the pharaoh Apries, from the Twenty-sixth dynasty of Egypt. The two obelisks were brought to Rome by Diocletian, during his reign as emperor from 284 to 305, for placement at the Temple of Isis, which stood nearby. The Latin inscription on the base, chosen by the pope who commissioned the sculpture to support the obelisk found on the site, Alexander VII, is said to represent that « …a strong mind is needed to support a solid knowledge ».

The inspiration for the unusual composition came from Hypnerotomachia Poliphili(« Poliphilo’s Dream of the Strife of Love »), an unusual 15th century novel probably by Francesco Colonna. The novel’s main character meets an elephant made of stone carrying an obelisk, and the accompanying woodcut illustration^[21] in the book is quite similar to Bernini’s design for the base for the obelisk. The curious placement of the obelisk through the body of the elephant is identical.

The sturdy appearance of the structure earned it the popular nickname of « Porcino » (« Piggy ») for a while. The name for the structure eventually changed to Pulcino, the Italian for a small or little « chick ». This may have been a reference to the comparatively short height of the obelisk or, an obscure reference to the major charity of the Dominicans to assist young women needing dowries, who made a procession in the courtyard every year. The latter were once depicted in a local painting as three tiny figures with the Virgin Mary presenting purses to them.

Cultural references

The elephant and obelisk monument and the church of Santa Maria sopra Minerva feature in the novel ‘The Tomb of Alexander’ by Sean Hemingway. In the novel it is claimed that a secret passageway beneath the church leads to a chamber beneath the elephant monument which contains the body of Alexander the Great, placed there in the 17th century by Pope Alexander VII. This is entirely a work of fiction and the theory is unproven.

Gallery

Tomb of Giovanni Vigevano by Gian Lorenzo Bernini, 1618–1620
Memorial to Maria Raggiby Gian Lorenzo Bernini, 1647–1653
Tomb of Fra Angelico, by Isaia da Pisa, 1455
Cristo della Minerva by Michelangelo, 1519–1520
High Altar
Vault
Basilica interior
Madonna and Child Giving Blessings by Benozzo Gozzoli, 1449

Roman Catholic Marian churches

Notes

^ Jump up to:^a ^b ^c Grundmann & Fürst 1998, pp. 96–97
Jump up^ Unlike Naples or Palermo, Rome was never bombed in World War II, which in those cities led to some overnight « re-Gothification’. The Gothic Revival church of Sacro Cuore del Suffragio, built 1890-1917, is an anomaly inspired by the Duomo of Milan.
^ Jump up to:^a ^b ^c « S. Maria sopra Minerva » (in Italian). Ministry of the Interior. Retrieved 2013-03-12.
Jump up^ « Official website of Santa Maria sopra Minerva » (in Italian). Retrieved 2009-03-15.
Jump up^ Platner, Samuel Ball (1929), « Obeliscus Isei Campensis », A Topographical Dictionary of Ancient Rome, Oxford, pp. 368–369
Jump up^ Masetti 1855, p. 2
Jump up^ Bagliani, Agostino Paravicini. « Cavalcanti, Aldobrandino (Ildebrandinus) ». Treccani.it- The Italian Encyclopedia (in Italian). Retrieved 2013-02-23.
^ Jump up to:^a ^b « EUROPEAN HERITAGE DAYS 2012 – « ITALY TREASURE OF EUROPE » » (in Italian). Ministry of Cultural Heritage and Activities and Tourism. 2012-09-29. Retrieved 2013-12-19.
Jump up^ Ferdinand Gregorovius, The History of Rome in the Middle Ages (translated from the fourth German edition by A. Hamilton) Volume 7 part 1 [Book XIII, Chapter 1] (London 1900) 22-26.
Jump up^ J. P. Adams, Sede Vacante and Conclave of 1431. Retrieved: 2016-03-13.
Jump up^ J. P. Adams, Sede Vacante and Conclave of 1447. Retrieved: 2016-03-13.
Jump up^ David M. Cheney, Catholic-Hierarchy: Santa Maria sopra Minerva. Retrieved: 2016-03-13.
Jump up^ The Vegezzi Bossi Organ at the Minerva. Retrieved: 2016-03-13.
Jump up^ V. Forcella, Inscrizioni delle chese e d’ altre edifici di Roma, dal secolo XI fino al secolo XVI Volume I. Roma: Tipografia delle scienze mathematiche e fisiche, 1869, pp. 409-539.
Jump up^ Mulchahey, Marian Michèle (1998). First the bow is bent in study »: Dominican education before 1350. Pontifical Institute of Mediaeval Studies. p. 323. ISBN 9780888441324. Retrieved 2011-05-26.
Jump up^ Longo O.P., Carlo (1996). « J. Solano O.P. (1505 c.-1580) e la fondazione del « collegium S. Thomae de Urbe » (1577) ». La formazione integrale domenicana al servizio della Chiesa e della società. Atti del Congresso internazionale, Pontificia università S. Tommaso, Roma, 23-24 Novembre 1994 (in Italian). Edizioni Studio Domenicano. ISBN 9788870942460. Retrieved 2011-04-21.
^ Jump up to:^a ^b « Palazzo del Seminario (The Seminario Palace) ». Chamber of Deputies. Retrieved 2013-12-19.
Jump up^ Renz, Christopher J. (2009). In This Light Which Gives Light: A History of the College of St. Albert the Great (1930-1980). Dominican School. p. 43. ISBN 9781883734183. Retrieved 2011-04-24.
^ Jump up to:^a ^b ^c http://www.metmuseum.org/art/collection/search/336013
Jump up^ « Temple of Minerva ». Assisi On-line. Retrieved 2009-03-15.
Jump up^ Media related to Elephant hypnerno at Wikimedia Commons (illustration from Hypnerotomachia Poliphili)

Bibliography

Silvia Koci Montanari, Le Chiese papali a Roma: sulle tracce dei sepolcri dei Papi(Vatican City: Libreria Editrice Vaticana, 2000), pp. 243 ff.
Giancarlo Palmerio and Gabriella Villetti, Storia edilizia di S. Maria sopra Minerva in Roma, 1275-1870 (Roma: Viella, 1989).
Gianfranco Spagnesi, Antonio da Sangallo il giovane: la vita e l’opera (Roma: Centro di studi per la storia dell’architettura, 1986), pp. 109-115 (tombs of Leo X and Clement VII).
Grundmann, Stefan; Fürst, Ulrich (1998), The Architecture of Rome: an architectural history in 400 individual presentations, Stuttgart: Ed. Axel Menges, ISBN 3-930698-60-9
Masetti, Pio Tommaso (1855), Memorie istoriche della chiesa di S. Maria sopra Minerva e de’ suoi moderni restauri (in Italian), Rome: Tip. di B. Morini, OCLC 24239739

https://en.wikipedia.org/wiki/Santa_Maria_sopra_Minerva

http://www.giacobbegiusti.com

[GF98-1] Jump up to:^a ^b ^c Grundmann & Fürst 1998, pp. 96–97

[2] Jump up^ Unlike Naples or Palermo, Rome was never bombed in World War II, which in those cities led to some overnight « re-Gothification’. The Gothic Revival church of Sacro Cuore del Suffragio, built 1890-1917, is an anomaly inspired by the Duomo of Milan.

[Ministry-3] Jump up to:^a ^b ^c « S. Maria sopra Minerva » (in Italian). Ministry of the Interior. Retrieved 2013-03-12.

[4] Jump up^ « Official website of Santa Maria sopra Minerva » (in Italian). Retrieved 2009-03-15.

[5] Jump up^ Platner, Samuel Ball (1929), « Obeliscus Isei Campensis », A Topographical Dictionary of Ancient Rome, Oxford, pp. 368–369

[6] Jump up^ Masetti 1855, p. 2

[7] Jump up^ Bagliani, Agostino Paravicini. « Cavalcanti, Aldobrandino (Ildebrandinus) ». Treccani.it- The Italian Encyclopedia (in Italian). Retrieved 2013-02-23.

[beniculturali.it-8] Jump up to:^a ^b « EUROPEAN HERITAGE DAYS 2012 – « ITALY TREASURE OF EUROPE » » (in Italian). Ministry of Cultural Heritage and Activities and Tourism. 2012-09-29. Retrieved 2013-12-19.

[9] Jump up^ Ferdinand Gregorovius, The History of Rome in the Middle Ages (translated from the fourth German edition by A. Hamilton) Volume 7 part 1 [Book XIII, Chapter 1] (London 1900) 22-26.

[10] Jump up^ J. P. Adams, Sede Vacante and Conclave of 1431. Retrieved: 2016-03-13.

[11] Jump up^ J. P. Adams, Sede Vacante and Conclave of 1447. Retrieved: 2016-03-13.

[12] Jump up^ David M. Cheney, Catholic-Hierarchy: Santa Maria sopra Minerva. Retrieved: 2016-03-13.

[13] Jump up^ The Vegezzi Bossi Organ at the Minerva. Retrieved: 2016-03-13.

[14] Jump up^ V. Forcella, Inscrizioni delle chese e d’ altre edifici di Roma, dal secolo XI fino al secolo XVI Volume I. Roma: Tipografia delle scienze mathematiche e fisiche, 1869, pp. 409-539.

[15] Jump up^ Mulchahey, Marian Michèle (1998). First the bow is bent in study »: Dominican education before 1350. Pontifical Institute of Mediaeval Studies. p. 323. ISBN 9780888441324. Retrieved 2011-05-26.

[16] Jump up^ Longo O.P., Carlo (1996). « J. Solano O.P. (1505 c.-1580) e la fondazione del « collegium S. Thomae de Urbe » (1577) ». La formazione integrale domenicana al servizio della Chiesa e della società. Atti del Congresso internazionale, Pontificia università S. Tommaso, Roma, 23-24 Novembre 1994 (in Italian). Edizioni Studio Domenicano. ISBN 9788870942460. Retrieved 2011-04-21.

[Seminario-17] Jump up to:^a ^b « Palazzo del Seminario (The Seminario Palace) ». Chamber of Deputies. Retrieved 2013-12-19.

[18] Jump up^ Renz, Christopher J. (2009). In This Light Which Gives Light: A History of the College of St. Albert the Great (1930-1980). Dominican School. p. 43. ISBN 9781883734183. Retrieved 2011-04-24.

[metmuseum1-19] Jump up to:^a ^b ^c http://www.metmuseum.org/art/collection/search/336013

[20] Jump up^ « Temple of Minerva ». Assisi On-line. Retrieved 2009-03-15.

[21] Jump up^ Media related to Elephant hypnerno at Wikimedia Commons (illustration from Hypnerotomachia Poliphili)

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Artiste	Fra Angelico, modernisée en 1501par Lorenzo di Credi
Date	1422-1423
Type	Art sacré
Technique	tempera sur panneau de bois
Dimensions (H × L)	212 × 237 cm
Mouvement	Renaissance italienne
Collection	Couvent San Domenico
Localisation	église du couvent San Domenico, Fiesole


Autore	Beato Angelico
Data	1438–1440
Tecnica	affresco
Dimensioni	189×159 cm
Ubicazione	Museo nazionale di San Marco, Firenze

Giacobbe Giusti, Museo nazionale di San Marco

Established	1869
Location	Piazza San Marco 3, 50121 Florence, Italy
Type	Art museum, historic site

Giacobbe Giusti, MICHELANGELO: Pietà for Vittoria Colonna, Isabella Stewart Gardner Museum

Artist	Michelangelo Buonarroti
Year	about 1538–44
Type	Black chalk on cardboard
Dimensions	28.9 cm × 18.9 cm (11.4 in × 7.4 in)
Location	Isabella Stewart Gardner Museum, Boston

Gardner Museum viewed from the Fenwayparkway (new wing is not visible at rear)
Location within Boston
Former name	Fenway Court
Established	1903
Location	25 Evans Way Boston, MA 02115

Type	Art museum
Accreditation	American Alliance of Museums
Founder	Isabella Stewart Gardner
Director	Peggy Fogelman
Public transit access	Green Line (E Branch) Museum of Fine Arts
Website	gardnermuseum.org

Isabella Stewart Gardner Museum
U.S. National Register of Historic Places
Gardner Museum in 2012, original building at right
Built	1896–1903
Architect	Willard T. Sears^[1]
NRHP reference #	83000603^[1]
Added to NRHP	January 27, 1983

Historique

Thème

Description

Panneau central

Prédelle

Pilastres

Analyse

Notes et références

Bibliographie

‘Fra Angelico: Heaven on Earth’ Review: Pictures Fit for a Pope

An exhibition reunites four exquisite reliquaries related to the life of the Virgin Mary, painted by Fra Angelico and not seen together for over 200 years.

San Marco becomes a museum

Histoire

Décoration intérieure

Façade

Cloître

Voir aussi

Bibliographie

Articles connexes

History

Convent and Studium

College of Saint Thomas

Offices of the Inquisition

Interior

Carafa Chapel

Cappella Capranica

Michelangelo’s Cristo della Minerva

Cappella Aldobrandini

Cappella Raymond of Penyafort

Other major artworks

Burials

List of cardinal-priests from Santa Maria sopra Minerva

Other churches with this name

Minerva’s Pulcino

Cultural references

Gallery

Notes

Bibliography

History

Description and style

Gallery of other versions

Bibliography

References

History

Design

Collection

Extension and preservation project

Art theft of 1990

Current programs

Giacobbe Giusti, LUCA SIGNORELLI:

La Résurrection de la Chair

Chapelle San Brizio

Histoire

Fra Angelico

Luca Signorelli

Giacobbe Giusti, FRA ANGELICO: Virgin Mary Annunciate

Giacobbe Giusti, LUCA SIGNORELLI: Les Élus au Paradis

Chapelle San Brizio

Histoire

Fra Angelico

Luca Signorelli

Articles récents

Méta