Giacobbe Giusti, New Jerusalem

Giacobbe Giusti, New Jerusalem

 

Giacobbe Giusti, New Jerusalem

 

Giacobbe Giusti, New Jerusalem

 

Giacobbe Giusti, New Jerusalem

 

New Jerusalem Tabernacle of God Holy City City of God Celestial City Heavenly Jerusalem Jerusalem above Zion Shining City on a Hill
Giacobbe Giusti, New Jerusalem
John of Patmos watches the descent of New Jerusalem from God in a 14th century tapestry.
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The New Jerusalem and the River of Life (Apocalypse XII), Beatus de Facundus, 1047

In the Book of Ezekiel in the Hebrew Bible, New Jerusalem(יְהוָה שָׁמָּה‬, Jehovah-shammah,^[1] or YHWH [is] there ») is Ezekiel‘s prophetic vision of a city centered on the rebuilt Holy Temple, the Third Temple, to be established in Jerusalem, which would be the capital of the Messianic Kingdom, the meeting place of the twelve tribes of Israel, during the Messianic era.^[2][3][4]The prophecy is recorded by Ezekiel as having been received on Yom Kippur of the year 3372 of the Hebrew calendar.^[5] It will be inhabited by people to live eternally in spirit form, created by God as a gift to mankind. Not everyone will reside in New Jerusalem, as most will possibly stay on Earth.

In the Book of Revelation in the New Testament, the city is also called the Heavenly Jerusalem, as well as being called Zion in other books of the Christian Bible.^{[citation needed]}

Judaism and origin

See also: Babylonian captivity

The Babylonian threat to the Kingdom of Judah began as the Babylonian Empire conquered Assyria and rose to power from 612-609 BCE. Jerusalem surrendered without major bloodshed to Babylon in 597. An Israelite uprising brought the destruction of Nebuchadnezzar’s army upon Jerusalem in 586 BCE. The entire city, including the First Temple, was burned. Israelite aristocrats were taken captive to Babylon.

The Book of Ezekiel contains the first record of the New Jerusalem. Within Ezekiel 40-48, there is an extended and detailed description of the measurements of the Temple, its chambers, porticos, and walls. Ezekiel 48:30-35 contains a list of twelve Temple gates named for Israel’s tribes.

The Book of Zechariah^[6] expands upon Ezekiel’s New Jerusalem. After the Second Temple was built after the exile, Jerusalem’s population was only a few hundred. There were no defensive city walls until 445 BCE.^[7] In the passage, the author writes about a city wall of fire to protect the enormous population. This text demonstrates the beginning of a progression of New Jerusalem thought. In Ezekiel, the focus is primarily on the human act of Temple construction. In Zechariah, the focus shifts to God’s intercession in the founding of New Jerusalem.

New Jerusalem is further extrapolated in Isaiah,^[8] where New Jerusalem is adorned with precious sapphires, jewels, and rubies. The city is described as a place free from terror and full of righteousness. Here, Isaiah provides an example of Jewish apocalypticism, where a hope for a perfected Jerusalem and freedom from oppression is revealed.

As the original New Jerusalem composition, Ezekiel functioned as a source for later works such as 4 Ezra, 2 Baruch, Qumran documents, and the Book of Revelation. These texts used similar measurement language and expanded on the limited eschatological perspective in Ezekiel.

Interpretation

Judaism sees the Messiah as a human male descendant of King David who will be anointed as the king of Israel and sit on the throne of David in Jerusalem. He will gather in the lost tribes of Israel, clarify unresolved issues of halakha, and rebuild the Holy Temple in Jerusalem according to the pattern shown to the prophet Ezekiel. During this time Jews believe an era of global peace and prosperity will be initiated, the nations will love Israel and will abandon their gods, turn toward Jerusalem, and come to the Holy Temple to worship the one God of Israel. Zechariah prophesied that any family among the nations who does not appear in the Temple in Jerusalem for the festival of Sukkoth will have no rain that year. Isaiah prophesied that the rebuilt Temple will be a house of prayer for all nations. The city of YHWH Shamma, the new Jerusalem, will be the gathering point of the world’s nations, and will serve as the capital of the renewed Kingdom of Israel. Ezekiel prophesied that this city will have 12 gates, one gate for each of the tribes of Israel. The book of Isaiah closes with the prophecy « And it will come to pass, that from one new moon to another, and from one sabbath to another, all flesh will come to worship before Me, says YHWH« .

Antiochene Persecutions, Hasmonean High Priesthood

The Animal Apocalypse within 1 Enoch (chapters 85-90), is another example where conflict sparks hopes for the New Jerusalem. First Enoch is an apocalyptic response to the persecutions under Seleucid Emperor Antiochus IV. In 167 BCE, Emperor Antiochus returned from fighting in Egypt to quell a revolt in Jerusalem led by Jason, the former High Priest. An agitated Antiochus imposed harsh restrictions on Jewish religion. Circumcision, feast celebration, Sabbath observance were all banned. Antiochus ordered the burning of Torah copies. Jews were required to eat pork. The worst oppression came in the desecration of the Temple. A polytheistic cult was formed, and worship of YHWH abolished. A statue to a Seleucid deity was constructed on the Jewish altar.

First Enoch was written in the wake of this calamity between 166 BCE-163 BCE. For the author of 1 Enoch, history is a steep descent into evil from the utopia in Eden. The author’s vision of the eschaton centers on the restoration of Jerusalem: “I saw until the owner of the sheep brought a house, new and larger and loftier than the former” (1 Enoch 90:29). In this New Jerusalem passage, the sheep are the Jewish people, the builder is the Lord, and the House is the Temple. During the same time period, the Dead Sea scrolls contain a New Jerusalem tradition formed out of strife. As a tiny Jewish sect living in the caves of Qumran, the Essenes opposed Temple leadership and the High Priesthood in Jerusalem. Their condemnation of the Temple focused on criticizing High Priests. They were also frustrated that Judean Kings were also given the role of High Priest.^{[dubious – discuss]}The Essenes were not against the institution of the Temple and its cult per se. The Essenes at Qumran predicted the reunified twelve tribes to rise together against Roman occupation and incompetent Temple leadership and re-establish true Temple worship.

The surviving New Jerusalem texts in Qumran literature focus specifically on the twelve city gates, and on the dimensions of the entire new city. In 4Q554, the gates of Simeon, Joseph, and Reuben are mentioned in this partial fragment. For the author of this fragment, the New Jerusalem’s twelve gates signify the reunification of the twelve tribes of Israel. In 5Q15, the author accompanies an angel who measures the blocks, houses, gates, avenues, streets, dining halls, and stairs of the New Jerusalem. There are two important points to consider regarding the Qumran Essenes. First, we do not have enough scroll fragments to completely analyze their New Jerusalem ideologies. Second, based on the evidence available, the Essenes rebelled against Temple leadership, not the Temple itself. Their vision of the New Jerusalem looked for the reunification of the twelve tribes around an eschatological Temple.

4 Ezra, 2 Baruch, 3 Baruch

As evidenced above, the historical progression of New Jerusalem language is specifically tied to conflict. The Babylonian Exile, Antiochene persecutions, and corrupt leadership in Jerusalem incited apocalyptic responses with a vision for a New Jerusalem. In the 1st century CE, an even greater conflict exploded in Iudaea province; the Roman destruction of Jerusalem, as well as the other Roman-Jewish Wars. Subsequent apocalyptic responses fundamentally altered the New Jerusalem eschatology for Jews and Early Christians.

At the core, apocalypses are a form of theodicy. They respond to overwhelming suffering with the hope of divine intercession and a perfected World to Come. The destruction of the Second Temple in 70 meant an end to Second Temple Judaism. Naturally, apocalyptic responses to the disaster followed. This section will first cover 4 Ezraand 2 Baruch. Fourth Ezra and 2 Baruch are important for two reasons. First, they look for a Temple in Heaven, not the eschaton. Second, these texts exhibit the final new Temple texts in Judaism. Jewish texts like 3 Baruch began to reject a restored Temple completely. However, these texts were deemed to be apocryphal by the Rabbis who maintained the belief in a Third Temple as central to Rabbinic Judaism.

The Jewish apocalypse of 4 Ezra is a text contained in the apocryphal book 2 Esdras. The genre of 4 Ezra is historical fiction, set thirteen years after the Babylonian destruction of Jerusalem. Fourth Ezra is dated approximately in 83 CE, thirteen years after the Roman destruction of Jerusalem. The story follows Ezra’s period of mourning following Jerusalem’s fall. Ezra is Job-like in his criticism of God’s allowance of Jerusalem’s downfall.

In Ezra’s deep state of grief, he meets a woman lamenting over Jerusalem. Ezra consoles the woman, and tells her to, “shake off your great sadness, and lay aside your many sorrows… the Most High may give you rest.” (4 Ezra 10:24). Suddenly, the woman is transfigured in an array of bright lights. She transforms into the New Jerusalem being rebuilt. As a bereaved widow she convinced Ezra to apply solace to himself through the image of a New Jerusalem.

Fourth Ezra has two clear messages. First, do not grieve excessively over Jerusalem. Second, Jerusalem will be restored as a heavenly kingdom. Fourth Ezra also uses the title “Most High,” throughout the apocalypse to emphasis that the Lord will once again reign and reside in Jerusalem.

The apocalypse of 2 Baruch is a contemporary narrative of 4 Ezra. The text also follows the same basic structure 4 Ezra: Job-like grief, animosity towards the Lord, and the rectification of Jerusalem that leads to the comfort of the Job-figure. Second Baruch is historical fiction, written after the Roman destruction but set before the fall of Jerusalem to the Babylonians.

Baruch is distressed when the Lord informs him of Jerusalem’s impending doom. Baruch responds with several theological questions for God. For this study, Baruch’s inquiry about the future of Israel and the honor of the Lord are most pertinent (2 Baruch 3:4-6). Baruch learns that the Lord will destroy the city, not the enemy. Baruch also learns of a pre-immanent heavenly Temple: “[The Temple] was already prepared from the moment I decided to create paradise.” And I showed it to Adam before he sinned.” (2 Baruch 4:3). This Temple was created before Adam, and shown to him before Adam’s fall.

Two important conclusions come from 2 Baruch. First, the author dismisses hopes for an earthly re-built Temple. The focus is entirely on the heavenly Temple that pre-dated the Garden of Eden. This may be a device to express the supremacy of the heavenly Temple as a sanctuary built before Eden (the traditional location of the earthly Temple). Second, Baruch believes that restoration for the people of Israel exists in heaven, not on earth.

The apocalypse of 3 Baruch is the anomaly among post-revolt New Jerusalem texts. Unlike 2 Baruch and 4 Ezra, the text exemplifies an alternative tradition that lacks a restored Temple. Like other apocalypses, 3 Baruch still mourns over the Temple, and re-focuses Jews to the heavens. Yet 3 Baruch finds that the Temple is ultimately unnecessary. This move could be polemical against works which afforded the Temple with excessive veneration. In the passage, an angel comes to Baruch and consoles him over Jerusalem: “Where is their God? And behold as I was weeping and saying such things, I saw an angel of the Lord coming and saying to me: Understand, O man, greatly beloved, and trouble not thyself so greatly concerning the salvation of Jerusalem.” (3 Baruch 1:3)

Third Baruch certainly mourns over the Temple. Yet 3 Baruch is not ultimately concerned with the lack of a Temple. This text goes along with Jeremiah and Sibylline Oracles 4 to express a minority tradition within Jewish literature. In the first Christian apocalypse, the Book of Revelation coincides with this perspective on Jerusalem. The study will now move to early Christian perspectives on the Temple and the apocalyptic response in Revelation.^{[9][10][11][12][13][14][15][16]}

Christianity

See also: Jewish Christianity and Jerusalem in Christianity

Since Christianity originated from Judaism, the history of Jewish places of worship and the currents of thought in ancient Judaism described above served in part as the basis for the development of the Christian conception of the New Jerusalem. Christians have always placed religious significance on Jerusalem as the site of The Crucifixion and other events central to the Christian faith.

In particular, the destruction of the Second Temple that took place in the year 70, a few decades after Christianity began its split from Judaism, was seminal to the nascent Christian apocalypticism of that time. In the Olivet discourse of the Gospels, Jesus predicts the destruction of Herod’s Temple, and promises that it will precede the return of the Son of Man, commonly called the Second Coming. This prophecy of the renewal of Jerusalem by the messiah echoes those of the Jewish prophets. John of Patmos‘ vision of the New Jerusalem in the Book of Revelation draws on the Olivet discourse and all the historical precursors mentioned above.

Based on the Book of Revelation, premillennialism holds that, following the end times and the second creation of heaven and earth (see The New Earth), the New Jerusalem will be the earthly location where all true believers will spend eternity with God. The New Jerusalem is not limited to eschatology, however. Many Christians view the New Jerusalem as a current reality, that the New Jerusalem is the consummation of the Body of Christ, the Church and that Christians already take part in membership of both the heavenly Jerusalem and the earthly Church in a kind of dual citizenship.^[17] In this way, the New Jerusalem represents to Christians the final and everlasting reconciliation of God and His chosen people, « the end of the Christian pilgrimage. »^[17] As such, the New Jerusalem is a conception of Heaven, see also Heaven (Christianity).

Interpretation

Christianity interprets the city as a physical and/or spiritual restoration or divine recreation of the city of Jerusalem. It is also interpreted by many Christian groups as referring to the Church to be the dwelling place of the saints.

John of Patmos describes the New Jerusalem in the Book of Revelation in the Christian Bible, and so the New Jerusalem holds an important place in Christian eschatology and Christian mysticism, and has also influenced Christian philosophy and Christian theology. Such a renewal of Jerusalem, if a reconstruction, is an important theme in Judaism, Christianity, and the Bahá’í Faith. Renewed Jerusalem bears as its motto the words Ad librum (Latin: « as by the book ».)

Many traditions based on biblical scripture and other writings in the Jewish and Christian religions, such as Protestantism, and Orthodox Judaism, expect the literal renewal of Jerusalem to some day take place at the Temple Mount in accordance with various prophecies. Dispensationalists believe in a literal New Jerusalem that will come down out of Heaven, which will be an entirely new city of incredible dimensions. Other sects, such as various Protestant denominations, modernist branches of Christianity, Mormonism and Reform Judaism, view the New Jerusalem as figurative, or believe that such a renewal may have already taken place, or that it will take place at some other location besides the Temple Mount.

It is important to distinguish between « the camp of the saints, and the beloved city » spoken of in Revelation 20:9, and the New Jerusalem of chapter 21. Rev. 20:9 refers to an earthly City, description and purpose of which is found in book of Ezekiel, starting with chapter 36 and ending with chapter 48. One of the most obvious differences is, the dimensions of the New Jerusalem of Rev. 21 are 1000 times bigger than dimensions of the city in Ezekiel 48 (and in Rev. 20:9) New Jerusalem of Revelation 21 is 2225 km. in length, width, and height, a city of these gigantic proportions can not be located on this earth, but as stated in ch. 21 comes down from heaven on to the new earth.

The Book of Revelation

Giacobbe Giusti, New Jerusalem

Folio 55r of the Bamberg Apocalypse depicts the angel showing John the New Jerusalem, with the Lamb of God at its center.

Introduction to the City

The term New Jerusalemoccurs twice in the New Testament, in verses Rev 3:12 and Rev 21:2 of the Book of Revelation. A large portion of the final two chapters of Revelation deals with John of Patmos’ vision of the New Jerusalem. He describes the New Jerusalem as « ‘the bride, the wife of the Lamb' », where the river of the Water of Life flows (22:1).

After John witnesses the new heaven and a new earth « that no longer has any sea », an angel takes him « in the Spirit » to a vantage point on « a great and high mountain » to see New Jerusalem’s descendants. The enormous city comes out of heaven down to the New Earth. John’s elaborate description of the New Jerusalem retains many features of the Garden of Eden and the paradise garden, such as rivers, a square shape, a wall, and the Tree of Life.

Description of the City

According to John, the New Jerusalem is « pure gold, like clear glass » and its « brilliance [is] like a very costly stone, as a stone of crystal-clear jasper. » The street of the city is also made of « pure gold, like transparent glass ». The base of the city is laid out in a square and surrounded by a wall made of jasper. It says in Revelation 21:16 that the height, length, and width are of equal dimensions – as it was with the Holy of Holies in the Tabernacle and First Temple – and they measure 12,000 furlongs (which is approximately 1500.3 miles, or 1 furlong = approx 220 yards). John writes that the wall is 144 cubits, which is assumed to be the thickness since the length is mentioned previously. 144 cubits are about equal to 65 meters, or 72 yards. It is important to note that 12 is the square root of 144. The number 12 was very important to early Jews and Christians, and represented the 12 tribes of Israel and 12 Apostles of Jesus Christ. The four sides of the New City represent the four cardinal directions (North, South, East, and West.) In this way, New Jerusalem is thought of as an inclusive place, with the 12 gates accepting all of the 12 tribes of Israel from all corners of the earth.

There is no temple building in the New Jerusalem. God and the Lamb are the city’s temple, since they are worshiped everywhere. Revelation 22 goes on to describe a river of the water of life that flows down the middle of the great street of the city from the Throne of God. The tree of life grows in the middle of the street and to both sides of the river. The tree bears twelve (kinds of) fruit and yields its fruit every month. According to John, « The leaves of the tree were for healing (those of all) nations. » This inclusion of the tree of life in the New Jerusalem harkens back to the Garden of Eden. The fruit the tree bears may be the fruit of life.

John states that the New Jerusalem will be free of sin. The servants of God will have theosis (i.e. the power or likeness of God, that is « in his image » of holiness) and « His name will be on their foreheads. » Night will no longer fall, and the inhabitants of the city will « have need (of) no lamp nor light of the sun, for the Lord God gives them light. » John ends his account of the New Jerusalem by stressing its eternal nature: « And they shall reign forever and ever. »

Gates[edit]

There are twelve (12) gates hanging from the wall of the New City of Jerusalem. These 12 gates are oriented in groups of three and face the four cardinal directions of the compass needle: the north, south, east and west. There is an angel at each gate, residing in a gatehouse. The 12 gates are each made of a ‘single’ pearl, giving these the name « pearly gates« . The names of the twelve tribes of Israel are written on the 12 gates.

The New Jerusalem gates may bear some relation to the gates mentioned in Enoch, Chapters 33 – 35, where the prophet, Enoch reports that from each of the four « heavenly gates – opening in heaven – three (new gates) were seen distinctly separating (off, as if) the extremities of the whole earth » [were pulling apart each of the four gates into three new ones]. Thus, the four gates were each replaced by three new ones, totaling twelve [i.e. 3 x 4 = 12] gates in all. [33, 3.][ref. Laurence translation, Book of Enoch.]

Geometry

Giacobbe Giusti, New Jerusalem

The angel measures the New Jerusalem with the rod or reed. Note the Lamb of God and the twelve sets of figures, gates, and stones.

In 21:16, the angel measures the city with a golden rod or reed, and records it as 12,000 stadia by 12,000 stadia at the base, and 12,000 stadia high. A stadion is usually stated as 185 meters, or 607 feet, so the base has dimensions of about 2220 km by 2220 km, or 1380 miles by 1380 miles. In the ancient Greek system of measurement, the base of the New Jerusalem would have been equal to 144 million square stadia, 4.9 million square kilometers or 1.9 million square miles (roughly midway between the sizes of Australia and India). If rested on the Earth, its ceiling would be inside the upper boundary of the exosphere but outside the lower boundary.^[18] By way of comparison, the International Space Station maintains an orbit with an altitude of about 386 km (240 mi) above the earth.^[19]

Revelation 21:22

The Book of Revelation was composed during the end of the 1st century AD, sometime during the later end of the reign of Emperor Nero Domitius (54 to 68 CE). The work is addressed to the “seven churches that are in Asia” (1:4). Revelation is normally broken into three sections: the prologue (1:1-3:22), the visions (4:1-22:5), and the epilogue (22:6-20). This study is principally concerned with chapter 21.

The author of Revelation was both a Jew by birth and a believing Christian. For the author and the addressees of Revelation, they are searching for the Lord to vindicate them and judge the “inhabitants of the earth,” for their suffering (6:10). The fall of Jerusalem coupled with the Neronian persecutions form the tension within the subtext of Revelation.

Throughout Revelation, several references to the Temple are made REV 3:12,7:15,11:19,14:15,16:1. This Temple appears to be of heavenly origin. When the eschaton arrives in REV 21:1, the reader expects the temple to come down from heaven with the New Jerusalem. Revelation 21 even contains typical New Jerusalem terminology that accompanies a restored Temple. Specific measurements are given for the new city (Ezekiel 40-48, 4Q554), and the city is built with gold, sapphires, and emeralds (Isaiah, Tobit). In addition, 21:21 references the “twelve gates.” Revelation maintains another typical aspect of New Jerusalem tradition – the reunification of the twelve tribes of Israel (Ezekiel 48:33-34, 4Q554).

Verse 22 marks a sudden and remarkable shift in New Jerusalem apocalyptic rhetoric: “I saw no temple in the city, for its temple is the Lord God Almighty and the Lamb.” Following with the tradition of 3 Baruch and 4 Sibylline Oracles, Revelation foresees an eschaton without the Temple. Why has the Revelation suddenly denied an eschatological Temple? Verse 23 sheds light on this disparity.

Verse 23 proclaims, “And the city has no need of sun or moon to shine on it, for the glory of God is the light, and its lamp is the lamb.” For the author of Revelation, there is no need for a Temple because the Lord will be the New Jerusalem’s eternal light and Jesus (the lamb) will be its lamp. This re-interpretation utilizes Isaiah to make its case: “The LORD will be your everlasting light, and your God will be your glory. Your sun shall no more go down, or your moon withdraw itself; for the LORD will be your everlasting light, and your days of mourning shall be ended.” (Isaiah 60:19)

The Temple is discarded in the eschaton because the Lord will provide illumination for the New Jerusalem, and Christ will be the glory for its residents. Henceforth, Christians believed that the New Jerusalem no longer required a Temple. For Christians, their Lord sufficiently replaced the Temple.

New Jerusalem – Dead Sea Scrolls

Discovered among the Dead Sea Scrolls near Qumran, Israel, were fragments of a scroll which describes New Jerusalem in minute detail. The New Jerusalem Scroll (as it is called) appears to contain apocalyptic vision, although, being fragmented, it is hard to categorize. Written in Aramaic, the text describes a vast city, rectangular in shape, with twelve gates and encircled by a long wall. Similar descriptions appear in Ezekiel 40-48 and Revelation 21-22 and comparison to the Temple Scroll (also found near Qumran) shows many similarities despite no direct literary links between the two.

Montanism

From the middle of the 2nd century CE to the middle of the 6th century CE, the ancient Christian sect of Montanism, which spread all over the Roman Empire, expected the New Jerusalem to descend to earth at the neighboring Phrygian towns of Pepuza and Tymion. In late antiquity, both places attracted crowds of pilgrims from all over the Roman Empire. Pepuza was the headquarters of the Montanist church. The Montanist patriarch resided at Pepuza. Women played an emancipated role in Montanism, serving as priests and also bishops. In the 6th century CE, this church became extinct.

Since 2001, Peter Lampe of the University of Heidelberg has directed annual archaeological campaigns in Phrygia, Turkey. During these interdisciplinary campaigns, together with William Tabbernee of Tulsa, numerous unknown ancient settlements were discovered and archaeologically documented. Two of them are the best candidates so far in the search for the identification of the two holy centers of ancient Montanism, Pepuza and Tymion, the sites of the expected descent of the New Jerusalem. Scholars had searched for these lost sites since the 19th century.

The ancient settlement discovered and identified as Pepuza by William Tabbernee and Peter Lampe was settled continuously from Hellenistic times to Byzantine times. In Byzantine times, an important rock-cut monastery belonged to the town. The town is in the Phrygian Karahallıarea, near the village of Karayakuplu (Uşak Province, Aegean Region, Turkey). The ancient site of Tymion identified by Peter Lampe is located not far away at the Turkish village of Şükranje. For the Montanists, the high plane between Pepuza and Tymion was an ideal landing place for the heavenly New Jerusalem.

Catholicism

The New Jerusalem, Julius Schnorr von Carolsfeld, 1860

The Catholic Church places the New Jerusalem in the eschatological role found in Revelation. Catholicism also holds that the New Jerusalem already exists as a spiritual community in Heaven, the Church triumphant, with an outpost on earth, the Church militant. Together, the Church triumphant, Church militant, and Church suffering form the Church universal. Augustine of Hippo, a Doctor of the Church and Church Father, draws inspiration from John’s account of the New Jerusalem to outline this view in his monumental work The City of God.

The Catholic Encyclopedia article on « Heaven » states that Catholic

theologians deem more appropriate that there should be a special and glorious abode, in which the blessed have their peculiar home and where they usually abide, even though they be free to go about in this world. For the surroundings in the midst of which the blessed have their dwelling must be in accordance with their happy state; and the internal union of charity which joins them in affection must find its outward expression in community of habitation. At the end of the world, the earth together with the celestial bodies will be gloriously transformed into a part of the dwelling-place of the blessed (Revelation 21). Hence there seems to be no sufficient reason for attributing a metaphorical sense to those numerous utterances of the Bible which suggest a definite dwelling-place of the blessed. Theologians, therefore, generally hold that the heaven of the blessed is a special place with definite limits. Naturally, this place is held to exist, not within the earth, but, in accordance with the expressions of Scripture, without and beyond its limits. All further details regarding its locality are quite uncertain. The Church has decided nothing on this subject.

Eastern Christianity

Emperor Lalibela of Ethiopia built the city of Lalibela as a new reconstructed Jerusalem in response to the Muslim capture of Jerusalem by Saladin‘s forces in 1187. The Eastern Orthodox Churchteaches that the New Jerusalem is the City of God that will come down from heaven in the manner described in the Book of the Apocalypse (Revelation). The Church is an icon of the heavenly Jerusalem.^[20] The New Jerusalem Monastery in Russia takes its name from the heavenly Jerusalem.

Puritans

The New Jerusalem was an important theme in the Puritancolonization of New England in the 17th century. The Puritans were inspired by the passages in Revelation about the New Jerusalem, which they interpreted as being a symbol for the New World. The Puritans saw themselves as the builders of the New Jerusalem on earth. This idea was foundational to American nationalism.^[21]

Swedenborgian

Ecclesiastic Swedenborgians often refer to their organizations as part of or contributing to the New Jerusalem as explained by Emanuel Swedenborg in such books as New Jerusalem and Its Heavenly Doctrine, Apocalypse Revealed, and Apocalypse Explained. According to Swedenborg, the New Jerusalem described in the Bible is a symbol for a new dispensation that was to replace/restore Christianity. Also according to these books, this New Jerusalem began to be established around 1757. This stems from their belief that Jerusalem itself is a symbol of the Church, and so the New Jerusalem in the Bible is a prophetic description of a New Church.

Latter Day Saint

Zion (Latter Day Saints)

In the Latter Day Saint movement, the New Jerusalem is viewed as a physical kingdom that will be built in North America,^[22] centered on Independence, Missouri.^[23] The movement refers to the New Jerusalem as Zion. The movement’s founder, Joseph Smith, attempted to establish this Zion in the early 1830s, and drafted a detailed plat of Zion based on his view of the biblical description of the New Jerusalem, including plans for a temple. However, due to political and military rivalry with other Missouri settlers, members of the religion were expelled from Missouri in 1838. Subsequently, several Latter Day Saint denominations have established residence there, believing that it will be the center of God’s Millennial kingdom.

Jehovah’s Witnesses

Main article: The ‘anointed’ (Jehovah’s Witnesses and salvation)

Jehovah’s Witnesses believe that New Jerusalem is made up of anointed Christians serving in heaven as Kings and Priests over the earth. The number of these King-Priests will eventually number 144,000. This belief is based on New Jerusalem being described as « a bride adorned for her husband » REV 21:2, and this same « bride » then being described as « the Lamb’s wife » REV 21:9-10. REV 14:1is seen as depicting a wife-like relationship between the Lamb and the 144,000, therefore linking the identity of the 144,000 with the Lamb’s wife and in-turn also that of New Jerusalem.^[24]

Universal Friends

The religious community known collectively as the Publick Universal Friends that gathered around the Quaker evangelist Jemima Wilkinsonin the late 18th century was one of religious righteousness and devotion to Christian ideals. In 1790, Jemima founded a community she called New Jerusalem, planned as a communal society where righteousness would prevail. It was situated in the wilderness of New York’s Finger Lakes region, in what is today the town of Jerusalem, New York. The society faded away after the death of their leader, and so died the prospect of a community based on the will of God.

British Israelism

Richard Brothers, the originator of British Israelism, developed a viewpoint that the British are descended from the Lost Tribes of Israel, and that the capital city of Britain should therefore be re-modeled as a New Jerusalem for the coming Age of Enlightenment. Supposedly this idea was already present in 6th Century England, and that it reached its height of influence during and just after the First World War; certain buildings, such as St Paul’s Cathedral, supposedly contain elements of the plan in their design.

Bedwardism

Bedwardism, a Jamaican religious movement active between 1889 and 1921, asserted that August Town (a suburb of Kingston) was the New Jerusalem for the western hemisphere, and that Union Camp, where Alexander Bedward‘s Free Baptist Church was located, was Zion. This movement fell apart when Bedward was arrested in 1921.

Kimbanguism

Kimbanguism, a Congolese sectarian church founded in 1921 by Simon Kimbangu, refers to Kimbangu’s birthplace in Nkamba, Congo (a village near Mbanza-Ngungu), as New Jerusalem, where he reputedly performed miracles. Like Bedward, Kimbangu was imprisoned for life in the year 1921, however his movement continues with many followers to the present.

The Kimbanguist believe that people of the Nkamba village saw the New Jerusalem descending from heaven (a building) physically in 1935, by which time Father Simon Kimbangu was in prison. The Kimbanguist has constructed this same design of the building, calling it Nkamba New Jerusalem, in reference to Revelation 21; it has a river with supposed healing power.

Taiping Heavenly Kingdom

In 1853, the Taiping Heavenly Kingdom captured Nanjing (Nanking) During the Taiping Rebellion against the Qing dynasty of China and renamed the city « New Jerusalem ».^[25]

Bahá’í Faith

The Bahá’í Faith views the New Jerusalem as the renewal of religion that takes place about every thousand years and which secures the prosperity of the human world.^[26][27] Bahá’u’lláh, the founder of the Bahá’í Faith, identified the New Jerusalem with his claimed revelation (the word of God), and more specifically with the Law of God.^[28][29]

`Abdu’l-Bahá, Bahá’u’lláh’s son, further explains that the New Jerusalem which descends from heaven is not an actual city which is renewed, but the law of God since it descends from heaven through a new revelation and it is renewed.<sup>[30]</sup> Shoghi Effendi, head of the religion after the death of `Abdu’l-Bahá, stated that specifically Bahá’u’lláh’s book of laws, the Kitáb-i-Aqdas, is the new Jerusalem.^[31][32] Bahá’u’lláh, in the Tablet of Carmel, also states that the new Jerusalem had appeared upon the new Mount Zion, Mount Carmel.^[28]

Music

The Lutheran hymn « Jerusalem, du hochgebaute Stadt« , with lyrics written by Johann Matthäus Meyfart in 1626, describes entering the Heavenly Jerusalem. It was set by composers such as Max Reger and Sigfrid Karg-Elert.

Carly Simon references « the New Jerusalem, » in her Oscar-winning song from « Working Girl, » « Let the River Run. »

In popular culture

Science fiction writer Robert Heinlein wrote the story « If This Goes On—« , depicting a charismatic preacher managing to be elected President of the United States and setting up a theocratic dictatorship. Among other things, the capital is moved from Washington, D.C. to « New Jerusalem ».

In American hip hop culture and the Five-Percent Nation, « New Jerusalem » and « New Jeru » refer to New Jersey.^{[33][34][35][36]}

• « And did those feet in ancient time« 
• City upon a Hill
• Jewish eschatology
• Kingdom of Jerusalem
• Lamb of God
• New Galilee (Sixth Epoch)
• New Jerusalem theater
• New Rome
• Rauðúlfs þáttr
• Sacred geometry

Notes

1. ^ Ezekiel 48:35
2. ^ Isaiah 56:7
3. ^ Ezekiel 45:6
4. ^ Zechariah 14:17-19
5. ^ Rashi, Vilna Gaon and Malbim to Ezekiel Chap. 40
6. ^ Zechariah 2:4-5
7. ^ (The rebuilding of the walls under Nehemiah is covered in the Book of Nehemiah)
8. ^ Isaiah 54:11-14
9. ^ E.P. Sanders, Judaism: Practice and Belief 63 BCE – 66 CE (Philadelphia : Trinity Press International, 1992)
10. ^ James C. VanderKam and William Adler, The Jewish Apocalyptic Heritage in Early Christianity (Minneapolis: Fortress Press, 1996)
11. ^ David E. Aune, Apocalypticism, Prophecy, and Magic in Early Christianity (Grand Rapids, Mich.: Baker Academic, 2006)
12. ^ George W. Nickelsburg, Jewish Literature Between the Bible and the Mishnah (2nd ed. Minneapolis: Fortress Press, 2005)
13. ^ Aune, Apocalypticism, Prophecy, and Magic in Early Christianity, 5
14. ^ The New Oxford Annotated Bible: New Revised Standard Version with the Apocrypha (3rd ed. Oxford: Oxford University Press, 2001), 1359
15. ^ Patrick A. Tiller, A Commentary on the Animal Apocalypse of 1 Enoch (Vol. 4. Atlanta: Scholars Press, 1993), 61-79
16. ^ Geza Vermes, The Complete Dead Sea Scrolls in English (4th ed. New York: Penguin Books, 1997), 568-570
17. ^ Jump up to:^a b Bess, Philip (2003-04-19). « Design matters: the city and the good life: can the art of traditional urban design be renewed, and can we relearn how to create beautiful and livable cities? ». Christian Century. Archived from the original on 2004-09-18. Retrieved 2007-01-02.
18. ^ Exosphere#Earth.27s exosphere
19. ^http://www.nasa.gov/centers/johnson/pdf/566862main_iss_fact_sheet.pdf
20. ^ Averky (Taushev), Archbishop; Fr. Seraphim (Rose) (1998). The Apocalypse in the Teachings of Ancient Christianity. Platina CA: St. Herman of Alaska Brotherhood. p. 26. ISBN 0-938635-67-0.
21. ^ An article about the Puritans and the New Jerusalem, from PBS.
22. ^ Joseph Smith, 1842, Wentworth Letter.
23. ^ LDS Doctrine and Covenants 57:2.
24. ^ Insight on the Scriptures. 2. 1988. p. 496.
25. ^ http://digitalcommons.csbsju.edu/cdi/viewcontent.cgi?article=1013&context=headwaters^{[permanent dead link]}
26. ^ `Abdu’l-Bahá (1976). Bahá’í World Faith. Willmette, IL: US Bahá’í Publishing Trust. p. 381.
27. ^ Bahá’u’lláh (2003) [1862]. Kitáb-i-Íqán: The Book of Certitude. Wilmette, Illinois, USA: Bahá’í Publishing Trust. p. 198. ISBN 1-931847-08-8.
28. ^ Jump up to:^a b Sears, William (1961). Thief in the Night. London: George Ronald. ISBN 0-85398-008-X.
29. ^ Taherzadeh, Adib (1976). The Revelation of Bahá’u’lláh, Volume 1: Baghdad 1853-63. Oxford, UK: George Ronald. p. 306. ISBN 0-85398-270-8.
30. ^ `Abdu’l-Bahá (1981) [1904-06]. Some Answered Questions. Wilmette, Illinois, USA: Bahá’í Publishing Trust. p. 67. ISBN 0-87743-190-6.
31. ^ Effendi, Shoghi (1944). God Passes By. Wilmette, Illinois, USA: Bahá’í Publishing Trust. p. 213. ISBN 0-87743-020-9.
32. ^ Taherzadeh, Adib (1984). The Revelation of Bahá’u’lláh, Volume 3: `Akka, The Early Years 1868-77. Oxford, UK: George Ronald. p. 275. ISBN 0-85398-144-2.
33. ^ « ‘New Jeru’ in The Right Rhymes Hip-Hop Dictionary ». The Right Rhymes. Retrieved 27 June 2017.
34. ^ Margolis, Daniel; Bry, Dave; Erwin, Jack (October 22, 2013). « Ranking the 50 States Based on Their Contribution to Popular Music 11. New Jersey ». Complex. Retrieved 27 June 2017.
35. ^ James, Joy (2007). Warfare in the American Homeland: Policing and Prison in a Penal Democracy. Duke University Press. p. 231. ISBN 0822339234. Retrieved 27 June 2017.
36. ^ Nasir, Kamaludeen Mohamed Mohamed (2016). Globalized Muslim Youth in the Asia Pacific: Popular Culture in Singapore and Sydney. Springer. p. 73. ISBN 9781137542649. Retrieved 27 June 2017.

References

• Bernet, Claus: « The Heavenly Jerusalem as a Central Belief in Radical Pietism in the Eighteenth Century », in: The Covenant Quarterly, 63, 4, 2005, pp. 3–19.
• La Cité de Dieu, ed. by Martin Hengel, Tübingen 2000.
• La Gerusalemme celeste, ed. by Maria Luisa Gatti Perer, Milano 1983.
• Kühnel, Bianca: From the Earthly to the Heavenly Jerusalem. Representations of the Holy City in Christian Art of the First Millennium, Rom, 1987.
• Peter Lampe, Die montanistischen Tymion und Pepouza im Lichte der neuen Tymioninschrift, in: Zeitschrift für Antikes Christentum 8 (2004) 498-512
• W. Tabbernee/Peter Lampe, Pepouza and Tymion: The Discovery and Archaeological Exploration of a Lost Ancient City and an Imperial Estate (deGruyter: Berlin/New York, 2008) ISBN 978-3-11-019455-5 und ISBN 978-3-11-020859-7
• Daniel C. Harlow, The Greek Apocalypse of Baruch (3 Baruch) in Hellenistic Judaism and Early Christianity (New York: E.J. Brill, 1996)
• Sanders, E. P. The Historical Figure of Jesus. New York: Penguin Books, 1993.
• David Flusser, Judaism and the Origins of Christianity (Jerusalem: Magnes Press, 1988)
• Aune, Word Biblical Commentary: Revelation 17–22
• Stephen Pattemore, The People of God in the Apocalypse: discourse, structure, and exegesis (New York: Cambridge University Press, 2004)

•  Media related to New Jerusalem at Wikimedia Commons
• An article about the Puritans and the New Jerusalem, from PBS.
• University of Heidelberg: The Discovery of Pepouza and Tymion
• Size of New Jerusalem

https://en.wikipedia.org/wiki/New_Jerusalem

http://www.giacobbegiusti.com

Giacobbe Giusti, Vatican Museums

Giacobbe Giusti, Vatican Museums

Giacobbe Giusti, Vatican Museums

 

Giacobbe Giusti, Vatican Museums

Giacobbe Giusti, Vatican Museums

 

Giacobbe Giusti, Vatican Museums

Giacobbe Giusti, Vatican Museums

Giacobbe Giusti, Vatican Museums

So-called “Apoxyomenos” (“the Scraper”). Marble, Roman copy of the 1st century AD after a Greek bronze original ca. 320 BC. From the Trastevere in Roma.

Giacobbe Giusti, Vatican Museums

Giacobbe Giusti, Vatican Museums

Athena-Marsyas-Gruppe, Rom, Museo Gregoriano Profano

Giacobbe Giusti, Vatican Museums

L’Amazone Mattei est la meilleure copie existante d’un original perdu en bronze de Phidias, réalisé dans la seconde moitié du cinquième siècle av. J.C.

Giacobbe Giusti, Vatican Museums

Cnidus Aphrodite. Marble, Roman copy after a Greek original of the 4th century. Marble; original elements: torso and thighs; restored elements: head, arms, legs and support (drapery and jug).

Giacobbe Giusti, Vatican Museums

The Apollo Belvedereor Apollo of the Belvedere

Giacobbe Giusti, Vatican Museums

Laocoön and His Sons

Giacobbe Giusti, Vatican Museums

Scène de l’Odyssée

Giacobbe Giusti, Vatican Museums

Attaque des Lestrygons

Giacobbe Giusti, Vatican Museums

Mosaic, Caracalla bath

Giacobbe Giusti, Vatican Museums

Athletenmosaike aus den Caracalla-Thermen

 

Giacobbe Giusti, Vatican Museums

 

Stefaneschi Triptych

 

Giacobbe Giusti, Vatican Museums

Stefaneschi Altarpiece is a triptych by the Italian medieval painter Giotto, commissioned by Cardinal Giacomo Gaetani Stefaneschi^[1] to serve as an altarpiece for one of the altars of Old St. Peter’s Basilica in Rome.

Giacobbe Giusti, Vatican Museums

Annunciazione (Gentile da Fabriano)

 

Giacobbe Giusti, Vatican Museums

 

The Perugia Altarpiece(Italian: Pala di Perugia) is a painting by the Italian early Renaissance painter Fra Angelico

 

Musei Vaticani Giacobbe Giusti, Vatican Museums
Sculptures above the exits of museums
Location of the Vatican Museums within Vatican City
Wikimedia | © OpenStreetMap
Established	1506
Location	Vatican City
Coordinates	41°54′23″N 12°27′16″ECoordinates: 41°54′23″N 12°27′16″E
Type	Art museum
Visitors	6,427,277 (2017) [1]
Director	Barbara Jatta[2]
Website	Official website

The Vatican Museums, north of St. Peter’s Basilica

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Giacobbe Giusti, Vatican Museums
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v t e

The Vatican Museums (Italian: Musei Vaticani; Latin: Musea Vaticana) are Christian and art museums located within the city boundaries of the Vatican City. They display works from the immense collection amassed by popesthroughout the centuries including several of the most renowned Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display,^[3] and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments.^[4]

Pope Julius II founded the museums in the early 16th century.^[5]The Sistine Chapel, with its ceiling decorated by Michelangelo and the Stanze di Raffaello decorated by Raphael, are on the visitor route through the Vatican Museums. In 2017, they were visited by 6 million people, which combined makes it the 5th most visited art museum in the world.^[6][7]

There are 54 galleries, or sale, in total,^{[citation needed]} with the Sistine Chapel, notably, being the very last sala within the Museum. It is one of the largest museums in the world.

In 2017, the Museum’s official website and social media presence was completely redone, in accord with current standards and appearances for modern websites.^[8]

History

The Vatican Museums trace their origin to one marble sculpture, purchased in the 16th century: Laocoön and His Sons was discovered on 14 January 1506, in a vineyard near the basilica of Santa Maria Maggiore in Rome. Pope Julius II sent Giuliano da Sangallo and Michelangelo Buonarroti, who were working at the Vatican, to examine the discovery. On their recommendation, the pope immediately purchased the sculpture from the vineyard owner. The pope put the sculpture, which depicts the Trojan priest Laocoön and his two sons being attacked by giant serpents, on public display at the Vatican exactly one month after its discovery.

Benedict XIV founded the Museum Christianum, and some of the Vatican collections formed the Lateran Museum, which Pius IXfounded by decree in 1854.^[9]

The Museums celebrated their 500th anniversary in October 2006 by permanently opening the excavations of a Vatican Hill necropolis to the public.^[10]

On 1 January 2017, Barbara Jatta became the Director of the Vatican Museums, replacing Antonio Paolucci who had been director since 2007.^[11][12]

Pinacoteca Vaticana

The art gallery was housed in the Borgia Apartment until Pope Pius XIordered construction of a proper building. The new building, designed by Luca Beltrami, was inaugurated on 27 October 1932.^[13] The museum has paintings including:

• Giotto‘s Stefaneschi Triptych
• Olivuccio di Ciccarello, Opere di Misericordia
• Raphael’s Madonna of Foligno, Oddi Altarpiece and Transfiguration
• Leonardo da Vinci‘s St. Jerome in the Wilderness
• Caravaggio‘s Entombment
• Perugino‘s Madonna and Child with Saints and San Francesco al Prato Resurrection
• Filippo Lippi‘s Marsuppini Coronation
• Jan Matejko‘s Sobieski at Vienna

Collection of Modern Religious Art

The Collection of Modern Religious Art was added in 1973 and houses paintings and sculptures from artists like Carlo Carrà, Giorgio de Chirico, Vincent van Gogh, Paul Gauguin, Marc Chagall, Paul Klee, Salvador Dalí, and Pablo Picasso.^[14]

Sculpture museums

The group of museums includes several sculpture museums surrounding the Cortile del Belvedere. These are the Gregoriano Profano Museum, with classical sculpture, and others as below:

Museo Pio-Clementino

The New Wing, Braccio Nuovobuilt by Raffaele Stern

The Prima Porta Augustus

A Roman naval bireme depicted in a relief from the Temple of Fortuna Primigenia in Praeneste(Palestrina),^[15] constructed c. 120 BC;^[16] exhibited in the Pius-Clementine Museum (Museo Pio-Clementino) of the Vatican.

The museum takes its name from two popes; Clement XIV, who established the museum, and Pius VI, the pope who brought the museum to completion. Clement XIV came up with the idea of creating a new museum in Innocent VIII‘s Belvedere Palace and started the refurbishment work.^[17]

Pope Clement XIV founded the Pio-Clementino museum in 1771, and originally it contained the Renaissance and antique works. The museum and collection were enlarged by Clement’s successor Pius VI. Today, the museum houses works of Greek and Roman sculpture. Some notable galleries are:

• Greek Cross Gallery: (Sala a Croce Greca): with the porphyri sarcophagi of Constance and Saint Helen, daughter and mother of Constantine the Great.
• Sala Rotonda: shaped like a miniature Pantheon, the room has impressive ancient mosaics on the floors, and ancient statues lining the perimeter, including a gilded bronze statue of Hercules.
• Gallery of the Statues(Galleria delle Statue): as its name implies, holds various important statues, including Sleeping Ariadneand the bust of Menander. It also contains the Barberini Candelabra.
• Gallery of the Busts (Galleria dei Busti): Many ancient busts are displayed.
• Cabinet of the Masks (Gabinetto delle Maschere): The name comes from the mosaic on the floor of the gallery, found in Villa Adriana, which shows ancient theater masks. Statues are displayed along the walls, including the Three Graces.
• Sala delle Muse: Houses the statue group of Apollo and the nine muses, uncovered in a Roman villa near Tivoli in 1774, as well as statues by important ancient Greek or Roman sculptors. The centerpiece is the Belvedere Torso, revered by Michelangelo and other Renaissance men.^[18]
• Sala degli Animali: So named because of the many ancient statues of animals.

Tourists in the Pinacoteca Vaticana

Museo Chiaramonti

This museum was founded in the early 19th century by Pope Pius VII, whose surname before his election as pope was Chiaramonti. The museum consists of a large arched gallery in which are exhibited several statues, sarcophagi and friezes. The New Wing, Braccio Nuovo, built by Raffaele Stern, houses statues including the Augustus of Prima Porta, the Doryphoros, and The River Nile. The Galeria Lapidaria forms part of the Museo Chiaramonti, and contains over 3,000 stone tablets and inscriptions. It is accessible only with special permission, usually for the purpose of academic study.

Museo Gregoriano Etrusco

Founded by Pope Gregory XVI in 1836, this museum has eight galleries and houses important Etruscan pieces, coming from archaeological excavations.^[19] The pieces include: vases, sarcophagus, bronzes and the Guglielmi Collection.

Museo Gregoriano Egiziano

This museum houses a large collection of artifacts from Ancient Egypt.^[20] Such material includes papyruses, the Grassi Collection, animal mummies, and reproductions of the Book of the Dead.^[21]

History

The Museo Gregoriano Egiziano was inaugurated on 2 February 1839 to commemorate the anniversary of Gregory XVI’s accession to the papacy. The creation of the Museo Gregoriano Egiziano was particularly close to the pope’s heart as he believed the understanding of ancient Egyptian civilisation was vital in terms of its scientific importance as well as its value in understanding the Old Testament. This feeling was expressed in a paper by the museum’s first curator, the physiologist and Barnabite, Father Luigi Maria Ungarelli.^[17]

Giacobbe Giusti, Vatican Museums

Statue of the Nile recumbent 1st-2nd Century AD, from Rome Museo Gregoriano Egiziano

Vatican Historical Museum

The Vatican Historical Museum (Italian: Museo storico vaticano) was founded in 1973 at the behest of Pope Paul VI,^[22] and was initially hosted in environments under the Square Garden. In 1987, it moved to the main floor of the Apostolic Palace of the Lateran where it opened in March 1991.

The Vatican Historical Museum has a unique collection of portraits of the Popes from the 16th century to date, the memorable items of the Papal Military Corps of the 16–17th centuries and old religious paraphernalia related to rituals of the papacy. Also on display on the lower floor are the papamobili (Popemobiles); carriages and motorcars of Popes and Cardinals, including the first cars used by Popes.^[23]

Highlights from the Painting Collection

Giacobbe Giusti, Vatican Museums

• 

  Leonardo da Vinci

  St. Jerome in Wilderness, 103 x 75 cm.

   

 

• 

  Giotto di Bondone
  Stefaneschi Triptych, 224 x 245 cm

   

 

• 

  Giovanni Bellini
  Pieta, 106 x 84 cm.

   

 

• 

  Raphael
  Oddi Altarpiece, 272 x 165 cm

   

 

• 

  Raphael
  Transfiguration, 405 x 278 cm.

   

   

• 

  Raphael
  Madonna of Foligno, 320 x 194 cm.

   

• 

  Titian
  Frari Madonna, 338 x 270 cm.

   

   

• 

  Caravaggio
  Entombment, 300 x 203 cm.

   

 

• 

  Veronese
  The Vision of St. Helen, 166 x 134 cm.

   

 

• 

  Correggio
  Christ in Glory, 105 x 98 cm.

   

 

• 

  Titian
  Portrait of Doge Marcello

   

 

• 

  Perugino
  Decemviri Altarpiece, 193 x 165 cm.

   

 

• 

  Raphael
  Adoration of the Magi
  27 x 50 cm.

   

 

• 

  Raphael
  Annunciation
  27 x 50 cm.

   

 

• 

  Raphael
  Presentation in the Temple
  27 x 50 cm.

Other Highlights in the Museum

Gallery of Maps

• The red marble papal throne, formerly in the Basilica di San Giovanni in Laterano;
• Roman sculpture, tombstones, and inscriptions, including the Early Christian Sarcophagus of Junius Bassus and Dogmatic sarcophagus, and the epitaph of Lucius Cornelius Scipio Barbatus;
• The Raphael Rooms with many works by Raphael and his workshop, including the masterpiece The School of Athens
• The Niccoline Chapel
• The Sistine Chapel, including the Sistine Chapel ceiling.
• The Gallery of Maps: topographical maps of the whole of Italy, painted on the walls by friar Ignazio Danti of Perugia, commissioned by Pope Gregory XIII (1572–1585). It remains the world’s largest pictorial geographical study.
• The frescoes and other works in the Borgia Apartment built for Pope Alexander VI (Borgia).

Bramante Staircase; spiral stairs of the Vatican Museums, designed by Giuseppe Momo in 1932

• The Bramante Staircase, is a double spiral staircasedesigned by Giuseppe Momo in 1932. The staircase has two parts, a double helix, and is of shallow incline, being a stepped ramp rather than a true staircase. It is encircles the outer wall of a stairwell of approximately fifteen metres (49 feet) wide and with a clear space at the centre. The balustrade around the ramp is of ornately worked metal.

Visitors

The Museums had 6,427,277 visitors in 2017, making them the fourth-most-visited art museum in the world.^[1]

On the last Sunday of each month, the Vatican Museum is open to the public for free. It is popular and common for people to wait in line for many hours. The other days of the week tickets are available online or in-person. This image is a panoramic view of one small stretch of the entire queue on Sunday 29 April 2007, which continues for some distance in both directions beyond view.

Former entrance (now an exit) to the Vatican Museums, Vatican City

• Accademia, Venice
• Uffizi, Florence
• Index of Vatican City-related articles
• List of most visited art museums

References

1. ^ Jump up to:^a b The Art Newspaper Review, April 2018
2. Jump up^ Troszczynska, Katarzyna (1 January 2017). « To ona rządzi w Watykanie. Kim jest Barbara Jatta? » [Who is Barbara Jatta? She is the director of the Vatican] (in Polish). Virtual Poland. Retrieved 2017-08-29.
3. Jump up^ « Meet Antonio Paolucci ». Divento. Archived from the original on 2016-12-29. Retrieved 2016-12-28.
4. Jump up^ Jatta, Barbara (16 October 2016). « The Vatican Museums: transformation of an organisation » (PDF). Vatican Museums. Retrieved 29 August2017.
5. Jump up^ Bianchini, Riccardo (30 August 2017). « Vatican Museums – Rome ». Inexhibit. Retrieved 30 August 2017.
6. Jump up^ Top 100 Art Museum Attendance, The Art Newspaper, 2014. Retrieved on 13 July 2014.
7. Jump up^ « Museums and gallery visitors figure for 2017 ». Retrieved 18 March 2018.
8. Jump up^ « Conferenza Stampa di presentazione del nuovo sito web dei Musei Vaticani., 23.01.2017 »[Press Conference Presentation of the New Vatican Museum Website, 23.01.2017] (Press release) (in Italian). Holy See Press Office. Retrieved 29 August2017.
9. Jump up^  Herbermann, Charles, ed. (1913). « Christian Museums« . Catholic Encyclopedia. New York: Robert Appleton Company.
10. Jump up^ McMahon, Barbara (10 October 2006). « Ancient Roman treasures found under Vatican car park ». The Guardian. Manchester. Retrieved 29 August 2017.
11. Jump up^ Glatz, Carol (20 December 2016). « Pope names first woman to head Vatican Museums ». The Catholic Herald. Retrieved 29 August 2017.
12. Jump up^ Rykner, Didier (7 December 2007). « Antonio Paolucci, the new Director of the Vatican Museums ». The Art Tribune. Retrieved 28 August 2017.
13. Jump up^ « Pinacoteca ». Vatican Museums. Retrieved 29 August 2017.
14. Jump up^ « The Vatican Museums ». Vatican City State. Retrieved 28 August 2017.
15. Jump up^ Saddington, D.B. (2011). « Classes: the Evolution of the Roman Imperial Fleets Plate 12.2 on p. 204 ». In Erdkamp, Paul. A Companion to the Roman Army. Malden: Wiley-Blackwell. pp. 201–217. ISBN 978-1-4051-2153-8.
16. Jump up^ Coarelli, Filippo (1987). I Santuari del Lazio in età repubblicana [The Sanctuaries of Lazio in the Republican age] (in Italian). Carocci. pp. 35–84. (Subscription required (help)).
17. ^ Jump up to:^a b Bertoldi, Susanna (2011). The Vatican Museum: Discover the history, the works of art, the collections. Vatican City: Sillabe. pp. 46, 96. ISBN 978-88-8271-210-5.
18. Jump up^ Montebello, Philippe De; Kathleen Howard (1983). « Sala delle Muse ». The Vatican: Spirit and Art of Christian Rome. Metropolitan Museum of Art. pp. 178–180. ISBN 978-08-70993480.
19. Jump up^ « Museo Gregoriano Etrusco ». Vatican Museums. Retrieved 2014-08-21.
20. Jump up^ « Gregorian Egyptian Museum ». Vatican Museums. Retrieved 2014-08-21.
21. Jump up^ « Monuments exhibited in Room II of the Egyptian Museum ». Archived from the original on 5 July 2011.
22. Jump up^ Guide to the Vatican Museums and City. Musei Vaticani. 1986. ISBN 978-88-86921-11-4. Retrieved 9 May 2013.
23. Jump up^ « Museo Storico Vaticano (San Giovanni) ». Roma Capitale. Retrieved 28 August 2017.

Further reading

• G. Spinola, Il Museo Pio-Clementino (3 vols., 1996, 1999, 2004)
• G. B. Visconti and E. Q. Visconti, Il Museo Pio-Clementino Descritto (8 vols., 1782–1792)
• Daley, John (1982). The Vatican: spirit and art of Christian Rome. New York: The Metropolitan Museum of Art. ISBN 978-0810917118.
• Peter Rohrbacher: Völkerkunde und Afrikanistik für den Papst. Missionsexperten und der Vatikan 1922–1939 in: Römische Historische Mitteilungen 54 (2012), 583–610.

Vatican Museums.

• Official website 
• Vatican Museums official on-line ticket office
• Official English information

https://en.wikipedia.org/wiki/Vatican_Museums

http://www.giacobbegiusti.com